Why we love Trinnov Audio

Grounded in research

The three founders met while working at IRCAM in Paris - a research institute dedicated to electronic sound creation, and part of the Pompidou centre.

Their research led directly to the creation of Trinnov Audio ('tridimensional innovation'), which operates in three main markets: commercial cinema, content creation studios, and high-performance residential.

So, rather than an established audio brand looking for the best solution they could find, Arnaud and colleagues worked out what matters most to create a convincing three-dimensional sound field, for multiple listeners, then set about designing it.

A very different starting point.

Trinnov has also raised the bar in cinema room design.

The placement guidelines have helped designers create a larger sweet spot, for more listeners, in more seats, and were a direct influence on CEDIA/CTA RP22.

Altitude - Powerful, flexible, upgradable

The Altitude 32 surround processor was first released in 2014. With entirely software-based processing, it remains completely current and highly relevant.

Altitude 16 followed in 2017, and the latest Altitude CI is now available - a very flexible new processor with up to 32 channels, bringing Trinnov quality and power to an exciting new price point.

Altitude CI - the latest Trinnov surround processor

Altitude CI surround processor/decoder - incredibly cost-effective and scalable

The major advantage of the Altitude platform is processing power - all Altitudes have at least 10x the power of off-the-shelf DSPs used by other brands. This gives far greater scope for precision audio corrections, greater resolution, and higher timing accuracy.

The platform is also remarkably upgradable. HDMI cards have been updated as the format has evolved. Channel counts have increased - the Altitude 32 now supports 36 channels, or up to 64 with the expansion unit; the Altitude 16 now has 20.

Altitude 16 - now with 20 channels

All improvements and innovations - notably WaveForming bass control, released in 2024 - are provided free of charge to all Altitude owners.

I only know of one AV processor that is still current and can be upgraded to the very latest decoding spec, twelve years after release.

It's about time

Trinnov time-aligns speakers to 0.01ms accuracy (around 3mm in distance), where most work to 0.1ms. This makes a huge difference - it's harder to get exactly right, and very much worth it when you do. Crossovers and EQ are similarly time-accurate, and all channels are processed at the full 192kHz, where others have to downsample and lose accuracy.

When everything arrives exactly in time, it feels like you've removed the glass in front of a painting.

All that remains is the art.

Speaker re-mapping

Even in a high-level system, bringing real cinema into the home has its challenges - you can't always place every speaker exactly where it should go. Usually, that's a performance compromise we have to live with.

One use of the extra processing power all Altitudes carry is speaker re-mapping - a patented technology that 're-maps' sound from where the speaker actually is, to where it should be. Re-mapping also lets us optimise for every decoding format; there are small differences in ideal placement for Dolby Atmos, DTS:X/Pro and Auro-3D, and this lets us overcome them.

Advanced measurement and calibration tools

A Trinnov processor is a high-precision instrument, and it gives a calibrator advanced tools to match.

Trinnov uses their own 3D microphone - four capsules in a single unit, each receiving sound at slightly different times. Together they allow the processor to build a detailed internal model of exactly where sounds are coming from and how they interact with the room - foundational to the Optimizer room correction system.

3D mic - four high-quality calibration microphones in one unit

For really great results, we let Optimizer do what it's genuinely great at, particularly in the time domain, then manually tune the system according to experience, judgement, and the customer's preferences. We get everything we need to understand how a speaker sounds in that room, and can tailor accordingly, whether that means digital corrections or adjusting the acoustic response of the room itself.

Calibrating a Trinnov setup is not for the faint-hearted - you need experience and training.

WaveForming - better bass, everywhere

WaveForming is Trinnov's most recent innovation - unique, patented, launched in 2024, and steadily improving.

Getting great bass for everyone in smaller rooms is a difficult problem - even a very large home cinema is considered a smaller room acoustically. Bass notes bounce off the walls, causing hot spots and dead spots. Until recently, we could only partially overcome this, by using multiple subwoofers and placing seats where the bass is most even.

Waveforming - planar bass wave from the screen wall

WaveForming is a near-perfect solution. A bank of subwoofers in the screen wall sends a bass wave straight down the room, which is then absorbed by more subwoofers at the back - so it can't reflect back and cause problems.

WaveForming delivers excellent bass consistency, varying by as little as 1–2dB, even across a larger listening area with multiple seats. That's the absolute state of the art, and the performance target for CEDIA RP22 Level 4.

This is as good as it gets.

More about WaveForming

Better, because it's tested on humans

The science bit is fairly easy to follow. The emotional side follows hand-in-hand: research finds out what works best for real people in real rooms, and then designers can deliver it.

A cinema system powered by Trinnov processing - provided it's been properly designed, set up, and calibrated - has much deeper, more convincing emotional impact than one that isn't.

Coming soon to a cinema near you

You'll have to hear it.

Altitude 32 - the OG high channel surround processor
Arriving soon at Cinemaworks

If you'd like to experience Trinnov in action, ours will be installed and calibrated by May 2026, and if you want to use Trinnov in your cinema room project,

Let’s talk.

Trinnov FAQ

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Trinnov Audio home cinema - FAQ

▸Which Trinnov processor is right for me? Altitude 32, 16, or CI? Does the CI replace the other models?

Let's look at them in turn:

Altitude CI

is flexible, scalable and affordable - the base channel count is 8, expandable to 32 with software licenses - you can purchase the channel count you need now, and add more later - say when adding more speakers or upgrading your subs to WaveForming.

However, the CI has maximum 8 analogue outputs - any further channels must be over Dante / AES67 or AES/EBU digital. This explains some of the cost saving - the unit is physically smaller, and has fewer top-notch digital to analogue converters. Dante / AES67 is really growing in popularity - it keeps the signal in digital form for longer, massively simplifies rack wiring, and is highly flexible - many excellent power amplifiers are now Dante-enabled, including Trinnov's own.

Altitude CI - rear panel

If you already own very good power amplifiers with analogue inputs, say if you're upgrading an existing cinema room, you'd be better off with Altitude 16 or 32.

The other thing of note is that Altitude CI has four HDMI inputs - that's enough for many, but you might want more. In practice, a high performance room is pretty likely to have video processing, and those units often have very good video switching. Alternatively, high quality HDMI switching units can be found quite affordably. 'Secondary' sources can go on the HDMI switch, leaving three direct inputs for high priority equipment - disc player, streamer, and a Kaleidescape player.

Altitude 16

The practical benefits over the CI are: 16 analogue outputs (with four extra channels via SPDIF digital) and 8 HDMI inputs - you'll know if you need them, or I can help you decide.

Altitude 32

At the time of writing, the CI is limited to 32-channel decoding - Altitude 32 can support 36, or even more using the Altitude 48 EXT (48 decoded channels / 64 processed).

There are good reasons you might want to do this - larger rooms with rows of seats, a large number of Waveforming subwoofers, or if you want to run the ideal layout for every audio format - perfection, but you have to spend more.

For very high channel cinemas, the OG Trinnov processor is still the best, perhaps the only choice.

▸What about Trinnov power amplifiers?

That's a really good point - well worth covering, and here we are:

Trinnov's amplifiers are great - the analogue inputs are perfectly gain-matched to the processors, and electronically very quiet indeed - at least 8dB quieter than the norm. That's particularly useful for high sensitivity loudspeakers, and when there's silence between scenes or before the film starts, everything is incredibly quiet.

Amplitude 16 power amp - now with Dante™

This really helps with 'the willing suspension of disbelief' when watching films or other content. 'Noise floor' - achieving the lowest background noise possible - is an important performance target for RP22. The quieter your cinema room is, the more effective and impacting it will be.

Power ratings are conservative, and honest - so we can be sure we're really getting the output on the spec sheet when we're installing in your room.

Amplitude 16 has 3200w total (in 230V countries like the UK, or across the EU) across 16 channels, which are bridgeable in pairs. The 16 is now available with optional Dante input board, to make a perfect partner for Altitude CI.

▸Isn't a Trinnov just a PC in a fancy box?

It's a fair challenge, and there's a kernel of truth in it - Trinnov processors do run on a custom Linux platform, and that's part of what makes them so powerful and upgradable. But 'PC in a box' rather misses the point, in the same way you could say a Formula 1 car is just an engine with wheels.

Every surround processor uses a computer of some sort. The question is what kind, and what it's running. Most processors use relatively modest embedded DSP chips, which is why they have to downsample audio, make compromises on timing accuracy, and can't do the heavy lifting that WaveForming or speaker re-mapping requires. The processing ceiling is simply lower.

Trinnov user interface

Trinnov's platform removes that ceiling. That's not a marketing claim - it's why features like WaveForming are only possible on Trinnov, and why an Altitude 32 from 2014 is still fully current today.

More importantly, the software is where decades of research live. The algorithms behind the Optimizer, speaker re-mapping, and WaveForming aren't available anywhere else, at any price. You're not paying for the box, you're paying for the knowledge inside it.

▸Do I need a specialist to install and calibrate a Trinnov system?

Yes, almost certainly.

The tools are powerful precisely because they're complicated - getting the best from a Trinnov system requires trained, experienced calibration. It's not a limitation; it's part of why properly set up Trinnov systems sound the way they do.

You would also need a Trinnov 3D mic, purchased separately - 9v battery-powered for Altitudes 16 and 32, or power-over-Ethernet for Altitude CI. Ideally, you'd also want external calibration microphones and suitable software, to verify your results.

Optimizer user interface

With regret, I have seen badly set up Trinnov systems where crucial steps were missed - often by retailers or installers without the training and experience to get the best results. More positively, that was part of remedial works - upgrading and re-calibrating whole systems - and those customers are now much happier.

More positively again, a few years ago Trinnov introduced mandatory product training for all dealers, with exams at the end - which you have to pass to continue as an authorised dealer.

▸What's the best alternative to Trinnov?

I also have a lot of love for Storm Audio. They go about things differently, and rather well - the products have excellent flexibility, a well-defined upgrade path, and are highly suitable for expert calibration.

Storm Audio ISP Elite mk3

The 'best answer' for a given room and a particular client will depend on absolutely everything - and we'll almost always find a budget limit.

Really great Level 1 cinemas can be made with an AV receiver with built-in amplifiers; as things move up in performance, you'll most likely want a dedicated processor. If I'm helping you with that, it'll probably come from France.